It’s something you will need to work at in order to get on top of but, as I say, take some encouragement from the fact that, in the end, your ear is the discriminator. ... Again, try sustaining the chord on the piano while you play the exercise through all twelve keys and eventually you will not need the piano backing you up. You may find this and the next two steps quite challenging at a first viewing. We could include the flattened ninth but it doesn’t sound very good because it’s go that sound in it. If I keep the chord there and I put the scale on, well first of all the notes in the chord are clearly in the scale. So all the modes are going to be the modes of, in the end, a major scale. A mode is just a scale that’s rooted elsewhere. So if you can’t get your head round all this theory then your ear can come to the rescue. You see that there is as well as the previous indications by chords of C minor7 flat 5, of C half diminished, of C with a circle with a slash through it and a 7, you can also have it as C minor7 flat 5 flat 9 because the ninth is flattened. But it haunted me because this is a pretty big scale… 8 notes to be exact. Half diminished has a m3, b5, and a m7, for example C Eb Gb Bb. Home > Symmetric Scales > Half-Whole Diminished Scale > D HW dim scale I’m going to give it to you now in the hope that it will help you to sort out what are the good notes and what are the bad notes when you are playing a particular chord. F#m7(b5) chord. Ab. You can update your preferences and unsubscribe at any time. But there is a theory that underpins it and I kind of got to the theory later on. However, it turns out that something new does crop up if we use … the modes of the melodic minor ascending and we’re going to have a look at those modes in a later session, but we want to use one of them for the moment and it turns out that - oh just for completeness of course the other thing we forgot to mention is the harmonic minor … actually does have a minor third in it - but that is where you flatten the sixth and you naturalise the seventh. Piano player Bud Powell frequently used this scale to play over half-diminished chords. We offer a diverse selection of courses from leading universities and cultural institutions from around the world. diminished chord - we had 2 possibilities: one where we naturalised the D, one where we flattened the D. Let’s do the first - first. The first note is no good because you get a minor third inside the scale and scales - most of the scales we’re going to be talking about - are scales where you go in half steps or whole steps. Train your ear to hear the notes in the context of the Locrian scale. It means exactly the same thing - a half diminished chord. It’s quite a frequent occurrence in jazz that we alter the fifths and the ninths. It is a diatonic chord based on the 7th scale degree of the major scale (B half-dim: B D F A). The diminished scale can be created by stacking two diminished 7th chords a half-step apart on top of one another: Notice that the scale has eight unique notes, thus the name octatonic (which literally means eight tones). A half diminished chord is simply a minor seventh with a flattened fifth. Well we’re going to have a look at our first scale - the half diminished scale. I tend to use it from D upwards - E, F, G particularly. So if you see a chord symbol such as G13 (b9), it matches the diminished scale perfectly. The half tone, whole tone formula is consistent throughout the scale, for which reason it is sometimes called the Half-tone/Whole-tone Scale. What Are Diminished and Augmented Triads? You’re not going to get all this theory in one go or, at least, I’d be very surprised if you did. That’s probably too low … it’s a bit too muddy, but if I move it up to D then that’s quite nice. There we have it. In fact, when you talk about modes you’re not going to get anything new from the melodic minor descending because it’s just E flat major. Gosh, I’m finding this hard. • Each tone has two different Diminished scale: 1. The H/W Diminished Scale and/or associated chord can be substituted in place of a V7 chord. We’ll discuss each briefly. So we don’t have rooted chords. We’re talking about this being the flattened ninth. I actually prefer it but then that’s just a question of taste. Rank Root Scale Notes Intervals More Info; 1 : A : Half Diminished Scale : A,B,C,D,Eb,F,G : 1 2 b3 4 b5 b6 b7 Explore tech trends, learn to code or develop your programming skills with our online IT courses from top universities. 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